{"id":4753,"date":"2021-10-07T15:22:39","date_gmt":"2021-10-07T13:22:39","guid":{"rendered":"https:\/\/varsavianista.pl\/?p=4753"},"modified":"2021-10-07T17:52:37","modified_gmt":"2021-10-07T15:52:37","slug":"piotr-bratkowski-1955-2021","status":"publish","type":"post","link":"https:\/\/varsavianista.pl\/index.php\/2021\/10\/07\/piotr-bratkowski-1955-2021\/","title":{"rendered":"Piotr Bratkowski 1955-2021"},"content":{"rendered":"\n

Autor: Pawe\u0142 Dunin-W\u0105sowicz <\/p>\n\n\n\n

\"\"
Od lewej: Pawe\u0142 Dunin-W\u0105sowicz i Piotr Bratkowski w CSW, 1999 r. (archiwum PDW)<\/figcaption><\/figure><\/div><\/a><\/div>\n\n\n\n

Na zdj\u0119ciu g\u0142\u00f3wnym:<\/em>
Promocja ksi\u0105\u017cki Piotra Bratkowskiego Wiersze stare i nowe w Czu\u0142ym Barbarzy\u0144cy, przy stoliku pod oknem m.in. Piotr Bratkowski i Marcin \u015awietlicki, czerwiec 2003 r. (archiwum PDW<\/em>). <\/p>\n\n\n\n

W latach 80. miesi\u0119cznik \u201eLiteratura\u201d, aby zdoby\u0107 m\u0142odzie\u017cowego czytelnika, kusi\u0142 go drukiem w odcinkach takich pozycji, jak Dzieci z dworca Zoo<\/em> czy biografie gwiazd rocka \u2013 na pewno Lennona, chyba tak\u017ce Hendrixa. T\u0142umacz kt\u00f3rej\u015b z tych ostatnich, Piotr Bratkowski, od 1983 r. publikowa\u0142 sta\u0142e felietony Prywatna ta\u015bmoteka<\/em>. W nich bodaj jako pierwszy w PRL na powa\u017cnie i zarazem megasubiektywnie \u2013 bo wplataj\u0105c anegdoty z w\u0142asnego \u017cycia \u2013 analizowa\u0142 teksty polskich artyst\u00f3w rockowych, doceniaj\u0105c walory cho\u0107by debiutuj\u0105cych T.Love Alternative czy R\u00f3\u017c Europy. Literacki beton atakowa\u0142 Bratkowskiego, \u017ce chce o\u017ceni\u0107 Kor\u0119 z Jackiem Kaczmarskim (taka \u015blubna para znalaz\u0142a si\u0119 kilkana\u015bcie lat potem na ok\u0142adce ksi\u0105\u017cki). W 1987 i 1988 r. chodzi\u0142em na wrze\u015bniowe maratony nowofalowe Poza Kontrol\u0105, a wiedz\u0105c, \u017ce przerwy mi\u0119dzy wyst\u0119pami s\u0105 nu\u017c\u0105ce, wzi\u0105\u0142em kiedy\u015b z sob\u0105 numer \u201eLiteratury\u201d. I jestem przekonany, \u017ce to dla Bratkowskiego i jego dygresji o blokowaniu zapa\u0142k\u0105 psuj\u0105cego si\u0119 klawisza w tandetnym magnetofonie poprosi\u0142a mnie o po\u017cyczenie tego numeru nieznana panna (bo zwr\u00f3ci\u0142a go po p\u00f3\u0142 godzinie).<\/p>\n\n\n\n

Samego Piotra pozna\u0142em wiosn\u0105 1991 r. jako naczelnego efemerycznego (siedem numer\u00f3w) dwutygodnika \u201eAtak\u201d; wprowadzi\u0142 tam mnie Miros\u0142aw P\u0119czak, na kt\u00f3rego konwersatorium z kultury alternatywnej si\u0119 zapisa\u0142em. Pierwszego dnia wiosny \u2013 a dzie\u0144 by\u0142 pami\u0119tny ze wzgl\u0119du na historyczne bitwy policji z wagarowiczami \u2013 dosta\u0142em od Piotra jego \u015bwie\u017co wydany tomik wierszy Nauka strzelania<\/em>. Paradoksalnie, przy\u0107mi\u0142y go debiuty m\u0142odszych o par\u0119 lat poet\u00f3w tzw. pokolenia brulionu. Paradoksalnie, to w\u0142a\u015bnie Bratkowski odkry\u0142 Marcina \u015awietlickiego i drukowa\u0142 go w reaktywowanym \u201ePo Prostu\u201d.<\/p>\n\n\n\n

\"\"
Marcin \u015awietlicki i Piotr Bratkowski w CSW, 1999 r. (archiwum PDW)<\/figcaption><\/figure><\/div><\/a><\/div>\n\n\n\n

A dla mnie jest to ksi\u0105\u017ceczka wybitna z trzech powod\u00f3w, manifestuj\u0105cych si\u0119 na 60 stronicach formatu mojego dzienniczka szkolnego z podstaw\u00f3wki. Po pierwsze, nikt wcze\u015bniej w polskiej poezji nie gra\u0142 tyle popkultur\u0105 \u2013 s\u0105 inwokacje do Mu\u0144ka, Janerki i Lipi\u0144skiego, s\u0105 odniesienia do Cohena i Dylana, i wiersz o koncercie R\u00f3\u017c Europy. Po drugie, jest ca\u0142a historia lat 80., ale w prywatnym kontek\u015bcie \u2013 bo i \u015bmier\u0107 Popie\u0142uszki (s\u0105siad namawiaj\u0105cy na w\u00f3dk\u0119), bo i Czarnobyl (\u201enie boj\u0119 si\u0119 tej chmury\u201d) \u2013 albo sprowadzona do absurdu, jak w wierszu o 13 grudnia 1981 r., opowiadaj\u0105cym, jakie znaczenie ta data mia\u0142a w\u00f3wczas w Hiszpanii (futbolowe). Do tej grupy przynale\u017c\u0105 poniek\u0105d lakoniczne Najpi\u0119kniejsze s\u0142owa j\u0119zyka polskiego<\/em>, gdzie uczniom odpowiadaj\u0105cym komuna\u0142ami, kt\u00f3re powinno si\u0119 przywo\u0142ywa\u0107, przeciwstawiony jest ten, kto wypowiada s\u0142owo w jego poj\u0119ciu pi\u0119knie brzmi\u0105ce (\u201eanilana\u201d). A tak\u017ce wyznanie w Szkole warszawskiej,<\/em> \u017ce wiersz napisa\u0142, bo chcia\u0142 w kt\u00f3rym\u015b przeczyta\u0107 imi\u0119 swojej przysz\u0142ej \u017cony Marty.<\/p>\n\n\n\n

Po trzecie jest wreszcie Warszawa \u2013 przede wszystkim nasz wsp\u00f3lny \u017boliborz (\u201emoja historia rozgrywa si\u0119 mi\u0119dzy wylotem na Pozna\u0144 a Cytadel\u0105\u201d w Szkole warszawskiej<\/em> i znowu okno z widokiem na Cytadel\u0119 w poemacie Walkman<\/em>). Ale i Krakowskie Przedmie\u015bcie w zamykaj\u0105cym tomik wierszu bez tytu\u0142u o kolejkach ustawiaj\u0105cych si\u0119 rano do sklepu rybnego i ksi\u0119garni, z prorocz\u0105 puent\u0105: \u201ete ksi\u0105\u017cki mia\u0142y kiedy\u015b warto\u015b\u0107 mro\u017conych dorszy\u201d.<\/p>\n\n\n\n

\"\"
Od lewej: Marcin \u015awietlicki, Jaros\u0142aw Klejnocki i Piotr Bratkowski w CSW, 1999 r. (archiwum PDW)<\/figcaption><\/figure><\/div><\/a><\/div>\n\n\n\n
\"\"<\/figure><\/div><\/a><\/div>\n\n\n\n

Troch\u0119 inn\u0105, deliryczn\u0105 raczej Warszaw\u0119 odnalaz\u0142em tak\u017ce kilka lat p\u00f3\u017aniej w powie\u015bci Piotra W stanie wolnym<\/em> (1983), do kt\u00f3rej zajrza\u0142em w bibliotece. Opr\u00f3cz pola namiotowego bodaj na Ochocie (mog\u0119 si\u0119 myli\u0107) opisa\u0142 g\u0142\u00f3wn\u0105 arteri\u0119 Dzikiego Zachodu, czyli \u017belazn\u0105 \u2013 rezerwat miasta wczesnego PRL, o niej naczyta\u0142 si\u0119 u Marka Nowakowskiego, z kt\u00f3rego tw\u00f3rczo\u015bci napisa\u0142 prac\u0119 magistersk\u0105.<\/p>\n\n\n\n

Ale \u017boliborz powr\u00f3ci\u0142 w ostatniej ksi\u0105\u017cce Piotra \u2013 Mieszkam w domu, w kt\u00f3rym wszyscy umarli. <\/em>Przebija przez ni\u0105 przeczucie w\u0142asnego rych\u0142ego odej\u015bcia. W tej kronice szeregowca przy Kaniowskiej z 1961 r., na osiedlu rzekomej \u201eczerwonej bur\u017cuazji\u201d (rzekomej, bo prawdziwa pobudowa\u0142a si\u0119 opodal na dzia\u0142kach odebranych przedwojennym w\u0142a\u015bcicielom), mieszaj\u0105 si\u0119 gorzkie relacje z ojcem o mocno \u2013 wed\u0142ug Piotra \u2013 zafa\u0142szowanej osobowo\u015bci, z \u017cydowsk\u0105 rodzin\u0105 matki (o tym pochodzeniu dowiedzia\u0142 si\u0119 dopiero jako siedemnastolatek), z w\u0142asnymi pija\u0144stwami autora, jak to po \u015bmierci ojca.<\/p>\n\n\n\n

Cho\u0107 w 2003 r. zebrali\u015bmy stare felietony Piotra w opublikowanej przez moje wydawnictwo ksi\u0105\u017cce Prywatna ta\u015bmoteka<\/em>, to widywa\u0142em si\u0119 z Piotrem rzadko. Narozrabiali\u015bmy troch\u0119 par\u0119na\u015bcie lat temu we Wroc\u0142awiu na obradach jury Festiwalu Krymina\u0142u, komunikowali\u015bmy si\u0119 jednak g\u0142\u00f3wnie poprzez komentarze na Facebooku. Ale tak jako\u015b si\u0119 zdarza\u0142o, \u017ce czytaj\u0105c w XXI wieku \u201eNewsweek\u201d, odkrywa\u0142em u Piotra afirmatywny stosunek wobec tych samych tw\u00f3rc\u00f3w: Doroty Mas\u0142owskiej, Graba\u017ca czy Pablopavo.<\/p>\n\n\n\n

A nowymi s\u0105siadami Piotra b\u0119d\u0105 teraz Kora i Jacek Kaczmarski.<\/p>\n\n\n\n

Pawe\u0142 Dunin-W\u0105sowicz<\/p>\n\n\n\n

7 pa\u017adziernika 2021 r.<\/p>\n","protected":false},"excerpt":{"rendered":"

W latach 80. miesi\u0119cznik \u201eLiteratura\u201d, aby zdoby\u0107 m\u0142odzie\u017cowego czytelnika, kusi\u0142 go drukiem w odcinkach takich pozycji, jak Dzieci z dworca Zoo czy biografie gwiazd rocka \u2013 na pewno Lennona, chyba tak\u017ce Hendrixa. T\u0142umacz kt\u00f3rej\u015b z tych ostatnich, Piotr Bratkowski, od 1983 r. publikowa\u0142 sta\u0142e felietony Prywatna ta\u015bmoteka.<\/p>\n","protected":false},"author":7,"featured_media":4751,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71],"tags":[58],"class_list":["post-4753","post","type-post","status-publish","format-standard","has-post-thumbnail","category-varsaviana-z-lodowki","tag-artykuly-z-roku-2021"],"yoast_head":"\nPiotr Bratkowski 1955-2021 – varsavianista.pl<\/title>\n<meta name=\"description\" content=\"Pawe\u0142 Dunin-W\u0105sowicz \u201eodmra\u017ca\u201d zapomniane, dawno wydane, czasem znalezione na osiedlowym \u015bmietniku, a czasem wyj\u0119te z zakurzonego k\u0105ta antykwariatu \u2013 ksi\u0105\u017cki o Warszawie i z Warszaw\u0105 w tle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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