{"id":7452,"date":"2022-12-19T09:50:25","date_gmt":"2022-12-19T08:50:25","guid":{"rendered":"https:\/\/varsavianista.pl\/?p=7452"},"modified":"2022-12-19T09:50:48","modified_gmt":"2022-12-19T08:50:48","slug":"plac-trzech-krzyzy","status":"publish","type":"post","link":"https:\/\/varsavianista.pl\/index.php\/2022\/12\/19\/plac-trzech-krzyzy\/","title":{"rendered":"Plac Trzech Krzy\u017cy"},"content":{"rendered":"<div class=\"wp-block-image\">\n<div><a href=\"https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy.jpg\" class=\"td-modal-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy.jpg\" alt=\"\" class=\"wp-image-7453\" width=\"404\" height=\"512\" srcset=\"https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy.jpg 1616w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-237x300.jpg 237w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-808x1024.jpg 808w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-768x973.jpg 768w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-1212x1536.jpg 1212w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-150x190.jpg 150w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-300x380.jpg 300w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-696x882.jpg 696w, https:\/\/varsavianista.pl\/wp-content\/uploads\/plac_trzech_krzyzy-1068x1354.jpg 1068w\" sizes=\"auto, (max-width: 404px) 100vw, 404px\" \/><figcaption class=\"wp-element-caption\">Plac Trzech Krzy\u017cy w 1934 r. \/ NAC<\/figcaption><\/figure><\/a><\/div>\n<\/div>\n\n\n<p>Sp\u00f3jrzmy na zimowy plac Trzech Krzy\u017cy w 1934 r. Fotograf ustawi\u0142 si\u0119 przy wylocie ulicy Wiejskiej, aby utrwali\u0107 na zdj\u0119ciu jeden z najwa\u017cniejszych \u015br\u00f3dmiejskich plac\u00f3w. Po lewej stronie uchwyci\u0142 fragment gmachu Gimnazjum im. \u015bw. Jadwigi, po prawej za\u015b dwie kamieniczki si\u0119gaj\u0105ce swoimi pocz\u0105tkami XIX w. Zosta\u0142y one rozebrane pod budow\u0119 gmachu Towarzystwa Ubezpieczeniowego Riunione Adriatica di Sicurt\u00e1 ok. 1938 r. A\u017c do powstania warszawskiego nad placem dominowa\u0142a sylwetka <a><\/a>ko\u015bcio\u0142a \u015bw. Aleksandra, kt\u00f3ry swoje \u00f3wczesne formy architektoniczne zawdzi\u0119cza\u0142 przebudowie z lat 1886-1895, wed\u0142ug projektu J\u00f3zefa Piusa Dzieko\u0144skiego. Pierwotna \u015bwi\u0105tynia, projektu Christiana Piotra Aignera, z lat 1818-1826, za\u0142o\u017cona na planie centralnym, z dwoma portykami umieszczonymi od strony p\u00f3\u0142nocnej i po\u0142udniowej, zosta\u0142a powi\u0119kszona. Do ko\u015bcio\u0142a dostawiono dwie wie\u017ce od strony po\u0142udniowej, ponadto zwie\u0144czono go monumentaln\u0105 kopu\u0142\u0105 posadowion\u0105 na wysokim tamburze. Bezpo\u015bredni\u0105 inspiracj\u0105 dla kopu\u0142y by\u0142a ta nad bazylik\u0105 \u015bw. Piotra na Watykanie.<\/p>\n\n\n\n<p>Jedn\u0105 z przyczyn rozbudowy ko\u015bcio\u0142a by\u0142a powi\u0119kszaj\u0105ca si\u0119 liczna wiernych. Drugiej przyczyny nale\u017cy upatrywa\u0107 w ch\u0119ci zr\u00f3wnania gabarytu ko\u015bcio\u0142a i stoj\u0105cych wok\u00f3\u0142 placu kamienic. Wraz z przebudow\u0105 ko\u015bcio\u0142a plac nabra\u0142 wielkomiejskiego charakteru.<\/p>\n\n\n\n<p>Zniszczona podczas powstania \u015bwi\u0105tynia jeszcze przez kilka lat po wojnie przypomina\u0142a o destrukcyjnej sile konflikt\u00f3w zbrojnych. Jej zniszczona bry\u0142a by\u0142a na tyle sugestywna, \u017ce planowano pozostawi\u0107 lew\u0105 wie\u017c\u0119 \u015bwi\u0105tyni jako swoistego rodzaju \u201ememento\u201d i pami\u0105tk\u0119 zniszcze\u0144 Warszawy. Prowadzone w latach 1949-1952 prace rekonstrukcyjne skoncentrowano na odbudowie obiektu w formach nadanych mu przez Aignera. Dlaczego? Przyczyn nale\u017cy szuka\u0107 w pr\u00f3bach obni\u017cenia gabaryt\u00f3w zabudowy oraz ch\u0119ci powrotu do uwa\u017canej za cenniejsz\u0105 klasycystycznej formy \u015bwi\u0105tyni. Prawdopodobnie chciano te\u017c unikn\u0105\u0107 sytuacji, w kt\u00f3rej ko\u015bci\u00f3\u0142 stanowi\u0142by dominant\u0119 dla usytuowanego nieopodal Domu Partii oraz planowanego po stronie wschodniej amfiteatru (kt\u00f3ry ostatecznie nigdy nie powsta\u0142).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u015bwi\u0105tynia, projektu Christiana Piotra Aignera, z lat 1818-1826.<\/p>\n","protected":false},"author":9,"featured_media":7453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[108],"tags":[139],"class_list":["post-7452","post","type-post","status-publish","format-standard","has-post-thumbnail","category-rozmaitosci","tag-rozmaitosci-z-roku-2022"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Plac Trzech Krzy\u017cy &#8211; varsavianista.pl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/varsavianista.pl\/index.php\/2022\/12\/19\/plac-trzech-krzyzy\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plac Trzech Krzy\u017cy &#8211; 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