{"id":8297,"date":"2022-04-04T19:42:05","date_gmt":"2022-04-04T17:42:05","guid":{"rendered":"https:\/\/varsavianista.pl\/?p=8297"},"modified":"2023-04-06T19:47:24","modified_gmt":"2023-04-06T17:47:24","slug":"4-kwietnia","status":"publish","type":"post","link":"https:\/\/varsavianista.pl\/index.php\/2022\/04\/04\/4-kwietnia\/","title":{"rendered":"4 kwietnia"},"content":{"rendered":"
\n
\"\"
plakat teatrzyku Qui Pro Quo \/ Polona<\/figcaption><\/figure><\/a><\/div>\n<\/div>\n\n\n

4 kwietnia 1919 r. w Warszawie za\u0142o\u017cony zosta\u0142 teatrzyk Qui Pro Quo. Powsta\u0142 i dzia\u0142a\u0142 w zlokalizowanej przy ul. Senatorskiej 29 Galerii Luxenburga \u2013 nowoczesnym pasa\u017cu handlowym wybudowanym w latach 1907-1909 dzi\u0119ki Maxymilianowi Luxenburgowi. Pierwszym dyrektorem Qui Pro Quo by\u0142 Leszek Przy\u0142uski. Pocz\u0105tkowo wyst\u0119py QPQ nie odbiega\u0142y od przedstawie\u0144 innych warszawskich kabaret\u00f3w i teatrzyk\u00f3w, prezentuj\u0105cych programy z\u0142o\u017cone ze skeczy, piosenek i <\/a>monolog\u00f3w. Kierownikiem artystycznym QPQ \u2013 a w kolejnych latach tak\u017ce wsp\u00f3\u0142w\u0142a\u015bcicielem \u2013 by\u0142 kompozytor Jerzy Boczkowski. Zajmowa\u0142 si\u0119 on tematami artystycznymi, pozostawiaj\u0105c sprawy administracyjne Sewerynowi Majdemu. Pono\u0107 bezkompromisowy Boczkowski potrafi\u0142 zamyka\u0107 autor\u00f3w pod kluczem, aby przymusi\u0107 ich do pisania. W\u015br\u00f3d najcz\u0119\u015bciej zamykanych by\u0142 pono\u0107 sam Marian Hemar. Przez wiele lat z QPQ zwi\u0105zani byli Julian Tuwim, scenograf J\u00f3zef Galewski oraz konferansjer Fryderyk Jarosy, kt\u00f3rego znakiem rozpoznawczym by\u0142 \u201ew\u0119gierski polski\u201d. Na scenie wyst\u0119powali: Stefania G\u00f3rska, Hanka Ordon\u00f3wna, Zofia Tern\u00e9, Mira Zimi\u0144ska, Eugeniusz Bodo, Mieczys\u0142aw Fogg i Zula Pogorzelska. Jedn\u0105 z najg\u0142o\u015bniejszych premier sta\u0142a si\u0119 rewia \u201eHallo! Ciotka!”, za kt\u00f3r\u0105 stali Jarosy i Boczkowski. By\u0142o to przedstawienie o i\u015bcie europejskim rozmachu! Z czasem od zespo\u0142u od\u0142\u0105czyli si\u0119 Pogorzelska, Konrad Tom i Andrzej W\u0142ast, kt\u00f3rzy za\u0142o\u017cyli w\u0142asny teatrzyk\/rewi\u0119 Perskie Oko, przemianowane z czasem na Morskie Oko. Piosenki, kt\u00f3re potem \u015bpiewa\u0142a ca\u0142a Warszawa, wykonywa\u0142a w Qui Pro Quo Maria Modzelewska \u2013 prywatnie \u017cona Mariana Hemara.<\/p>\n\n\n\n

Koniec najbardziej znanej sceny kabaretowej II RP nast\u0105pi\u0142 wraz z kryzysem prze\u0142omu lat 20. i 30., ale utwory i skecze na niej prezentowane by\u0142y powtarzane a\u017c do ko\u0144ca epoki, kt\u00f3ra je stworzy\u0142a. Qui Pro Quo wyznaczy\u0142 kierunki ambitnego literackiego teatrzyku i kabaretu, kt\u00f3re nie przestaj\u0105 inspirowa\u0107 do dzi\u015b.<\/p>\n","protected":false},"excerpt":{"rendered":"

w roku 1919 za\u0142o\u017cony zosta\u0142 teatrzyk Qui Pro Quo.<\/p>\n","protected":false},"author":1,"featured_media":8298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[105,96],"tags":[230],"class_list":["post-8297","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kalendarium","category-kwiecien","tag-230"],"yoast_head":"\n4 kwietnia – varsavianista.pl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/varsavianista.pl\/index.php\/2022\/04\/04\/4-kwietnia\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"4 kwietnia – varsavianista.pl\" \/>\n<meta property=\"og:description\" content=\"w roku 1919 za\u0142o\u017cony zosta\u0142 teatrzyk Qui Pro Quo.\" 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